Chapter Two - GĀYAKI: Vocal Dispositions

Figure 2.1 - Speech Pitch Trace

Figure 2.1 - Har Insan

Figure 2.2 - Tere Bina Text

Figure 2.2 - Tere Bina (Click Image To Watch in YouTube)

Figure 2.3 - Tere Bina Text

Figure 2.4 - Bahlava Pitch Trace

Figure 2.5 - Kabhi Dar Kanpa Jata Hai Pitch Trace

Figure 2.6 - Notes vs. Curves

Figure 2.7 - Common vs Regal Harkat

Figure 2.7 - Common vs Regal

Figure 2.8 - Heavy vs Light Harkat

Figure 2.9 - Harkat Comparison

Figure 2.10 - Taans With and Without Dana

Figure 2.11 - Sapat and Vakr Motion

Figure 2.12 - Sapat and Vakr Taans Full

Figure 2.12 - Part 1 (Sapat)

Figure 2.12 - Part 2 (Vakr)

Figure 2.13 - Harkat and Control

Figure 2.14 - Sur

Figure 2.15 - Bullseye of Sur

Figure 2.16 - Tanpura Spectrogram

Figure 2.17 - Sur Completely Match Spectrogram

Figure 2.18 - Matching Sur Gesture

Figure 2.19 - Tanpura Harmonics Diagram

Figure 2.19 - Tanpura

Figure 2.20 - Vocal Ranges